
Deprecated: Array and string offset access syntax with curly braces is deprecated in /www/libraryLand/subs/romantic-suspense/engine/classes/templates.class.php on line 232

Call Stack:
    0.0005     407600   1. {main}() /www/libraryLand/subs/romantic-suspense/engine/rss.php:0

<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
<title>Elizabeth D. Samet - Free Library Land Online - Romantic Suspense</title>
<link>https://romantic-suspense.library.land/</link>
<language>ru</language>
<description>Elizabeth D. Samet - Free Library Land Online - Romantic Suspense</description>
<generator>DataLife Engine</generator><item>
<title>Looking for the Good War</title>
<guid isPermaLink="true">https://romantic-suspense.library.land/elizabeth-d-samet/626205-looking_for_the_good_war.html</guid>
<link>https://romantic-suspense.library.land/elizabeth-d-samet/626205-looking_for_the_good_war.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/elizabeth-d-samet/looking_for_the_good_war.jpg"><img src="https://picture.graycity.net/img/elizabeth-d-samet/looking_for_the_good_war_preview.jpg" class="fr-fic fr-dib" title ="Looking for the Good War" alt ="Looking for the Good War"/></a><br//>"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or...]]></description>
<category><![CDATA[Elizabeth D. Samet]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 30 Nov 2021 17:10:31 +0200</pubDate>
</item></channel></rss>