Hoagy tries to save a client from the deadly world of high-stakes publishingStewart Hoag knows how quickly fame can fade. The same critics who adored his first novel used his second for target practice, ending his literary career once and for all. To keep his basset hound fed, Hoagy ghostwrites memoirs for the rich, famous, and self-destructive. His newest subject reminds him all too much of himself. By the age of twenty, Cam Noyes is already being hailed as the next F. Scott Fitzgerald. Though he’s only published one book, Cam runs with the big boys: dating artists, trashing restaurants, and ending every night in a haze of tequila and cocaine. So glamorous is his lifestyle that he’s having trouble starting his second novel, forcing his agent to hire Hoagy to get the little genius working on a memoir instead. As Hoagy digs into the kid’s life story, he learns that New York publishing is even more cutthroat than he thought.

SUMMARY:Mitch Berger, a top film critic with a major New York newspaper at a surprisingly young age, has become almost a recluse since his wife died one year ago. He spends his time secluded in his apartment or in the dark recesses of a screening room. Although he continues to dazzle moviegoers and the film elite with his criticisms, his editor and good friend is alarmed about him. As a scheme to pull him out of the doldrums of his grief, she gives him a non-film assignment - to do a color story on the wealthy and social homeowners on Connecticut's Gold Coast. It takes some doing, but in the end Mitch agrees.He is fortunate to find a cottage to rent on Big Sister, the absolute top-of-the-line private island outside the town of Dorset. His landlady, Dolly, is pleasant and friendly, but some of the other inhabitants of this small piece of land, although too well bred to come right out and say it, are not happy to have Mitch, born of parents only one generation away from Eastern Europe and raised on the city's pavements, arrive in their back yard. But Dolly, whose husband has recently left her, needs the money, and at least she is more than gracious. The discovery of a body during a bout of optimistic gardening in Dolly's back yard brings on the other main player - Lieutenant Desiree Mitry, one of only three women on the Connecticut State Police major crimes squad, the youngest of the three, and the only black. A dedicated officer, she is the terror of everyone who doesn't really want to give a home to one of her stray cats. She is, as well, a closet artist and a complicated and beautiful woman, and she intrigues Mitch from the start.

Hoagy discovers a rock god’s deadly side is more than an actFrom the first time they played on the Ed Sullivan Show, Us was the hottest band on earth. For more than a decade, the group tore through the charts and indulged in an endless cycle of drugs, women, and violence, until two musicians died—the drummer by drugs, the guitarist by a crazed gunman. Once the band was finished, lead singer Tristam Scarr retreated to the English countryside, hiding from the world until the day he hires an American to ghostwrite his memoirs. Stewart Hoag arrives in London in the company of Lulu, his ever-hungry basset hound, to find the rock idol of his youth reduced to a wheezing, frail fortysomething. The first thing Starr tells him is that their drummer never overdosed—he was murdered. And as their interviews progress, Hoagy learns that working for a rock star is almost as dangerous as being one.

Down on his luck, a writer takes a ghostwriting job for a troubled comedianStewart Hoag’s first novel made him the toast of New York. Everyone in Manhattan wanted to be his friend, and he traveled the cocktail circuit supported by Merilee, his wife, and Lulu, his basset hound. But when writer’s block sunk his second novel, his friends, money, and wife all disappeared. Only Lulu stuck by him. The only opportunity left is ghostwriting—an undignified profession that still beats dental school. His first client is Sonny Day, an aging comic who was the king of slapstick three decades ago. Since he and his partner had a falling out in the late 1950s, Day has grown embittered and poor, until the only thing left for him to do is write a memoir. Hoagy and Lulu fly to Hollywood expecting a few months of sunshine and easy living. Instead they find Day’s corpse, and a murder rap with Hoagy’s name on it.